Born in 1980 in Tainan, LEE Li-Chung graduated from the Department of Information and Communications, Chinese Culture University. Formerly working as a fashion magazine editor in the Northern Taiwan, he resigned and returned to Tainan in 2012. Recently, Lee has been fond of the homing instinct of racing pigeons. Through the studies of the pigeon racing culture, he aims to construct the routes of self-dialogue with respect to issues like belonging, fate, and post-globalization. In recent years, Lee has been accustomed to combing through literature and the subtle clues in history, intervening in the historical materials and the gaps thereof. As such, the artist put back the missing pieces of pigeon racing activities in the cultural context of Taiwan via narrative practices, while satisfying his obsession with pigeons.   Lee’s project is to construct and write a pigeon racing history of Taiwan as well as the contemporary Taiwanese history through several narrative works of “Taiwan Pigeon Trilogy.” The project was funded by the NCAF production grant, exhibition grants, among others. The first work Battle of Mt. Zhugao and Red Feet Ling was nominated by the Taishin Arts Award in 2019 and selected into the 2020 Kaohsiung Award. The second work The Memo of Formosa Air Battle was exhibited at Taiwan Biennial of the National Taiwan Museum of Fine Arts in 2020. In 2022, Lee is working with Lithuanian Art Museum on the core proposition of identity for a dialogue exhibition. Starting from 2021, the new work and the prequel, The Diary of Pontanus, has been published via art residency in succession, in which the artist was transformed into the protagonist in an epic quest for the pigeon’s presence across space and time

Tsai Pou-Ching, born in Chiayi in 1986, lives and works in Tainan. The artist graduated from the MA Program at the Department of Fine Arts, National University of Tainan in 2014. Tsai employs mainly moving images and installation art as his creative mediums, concerning himself primarily with the value system of the contemporary society and engaging value conversion in the midst. The artist was awarded with exhibition grants by the National Culture and Arts Foundation (NCAF) in 2013 and 2017. He has organized numerous solo exhibitions. Also, Tsai was an artist in residence at Post-Ox Warehouse Experimental Site in Macau in 2019. Tsai produces mostly works of moving images and installation art.   In recent years, Tsai emphasizes on the study of biology-related contexts. Through a variety of means like misuse, fabrication, etc., he produces works using systems of biology. The inspiration for this series came from the artist affection for animals since childhood. He has been fond of learning knowledge about animals, and by which he oftentimes been inspired as well. Whenever Tsai turns on TV and watches documentaries of these animals, he usually wonders about the meanings of himself to these animals far away. It is said that there are over a thousand species discovered by biologists each year. Yet, there are also over a thousand species disappearing before discovery. So, what is the relationship between mankind and animals? With such inquiry as the point of departure, the artist endeavors to comb through an amateur study of biology amidst the context of biology dossier via a methodology different than those in science, so as to recapture the relationship between humans and animals.   2019 Artist in Residence (Post-Ox Warehouse Experimental Site, Macau, China) 2019“Macau Canidrome” (Post-Ox Warehouse Experimental Site, Macau, China) 2018 “Delusionography” (Waley Art, Taipei, Taiwan) 2017  The 106-1 Grant for Art Exhibition from NCAF 2014  Winner of the 12th Taoyuan Contemporary Art Award 2013  The 102-1 Grant for Art Exhibition from NCAF

Born in Taipei, Taiwan during 1990s. Graduated from the painting group at the graduate school of art creation, Taipei National University of the Arts; currently studying at the doctoral class of the graduate school for art creative theory, Tainan National University of the Arts. His main creative forms include painting, installation, and compound materials. His works mainly adopted humorous and joking approaches, often applied homophones or puns as the topic to recode and create visual images. His recent works involve perspectives such as consumer culture, local beliefs, value system, secular aesthetics, and individual desires…etc., trying to overlap each other to create exclusive local cultural landscapes, and further structure a thinking path responding to the essential issues of art.   His solo exhibition in 2019 received the Supporting Youth Art Development Subsidy from the Ministry of Culture, as well as the Exhibition Subsidy from the Department of Cultural Affairs, Taipei City Government; he also received the Supporting Youth Art Development Subsidy from the Ministry of Culture the following year. In 2016, he was selected as the artist of “2016 Made In Taiwan Young Artist Discovery” for Art Taipei by the Ministry of Culture, and was chosen to station in Kuala Lumpur, Malaysia for the “Kuandu Art Museum International Residence Program”; his works were also collected by the Art Bank and the White Rabbit Gallery in Australia.